The puppets have different colours on both sides and are larger. With a classical musical background, the presentation focuses on legendary and holy stories from the Epics and Puranas. It is the shadow theatre of Andhra Pradesh. It is common to employ puppets that are not human, such trees and animals.īecause they have acquired in-depth instruction in their field, the Ravanchhaya artists are able to produce poetic and delicate theatrical narratives. Since they don’t have any joints, learning this art is very challenging. The puppets made of deer skin are posed in dramatic and bold. This style of shadow puppetry is the most dramatic, and it’s very well-liked in Odisha. It is the renowned shadow theatre of Karnataka.Ī distinctive feature of Togalu Gombayetta puppets is the variation in puppet size based on social rank, with enormous puppets portraying monarchs and religious leaders and smaller puppets representing the underprivileged and slaves. Shadow puppet tradition is still prevalent in Tamil Nadu, Kerala, Andhra Pradesh, Karnataka, and Odisha.Ī few well-known examples of shadow puppetry: Togalu Gombeyatta The figurines are altered such that the silhouettes they produce on the white screen tell a compelling story. On a white screen, puppets are positioned, and light is flashed on them from behind to cast a shadow. The miniatures are painted identically on both sides of the leather. Shadow puppetry has a long history in India and has been handed down through the generations.įlat figures made of leather are used as shadow puppets. One noteworthy feature of this puppet is the use of more than one puppeteer to control the puppets. They are modelled after the many characters from the Yakshagana Theatres. It is a traditional puppet show from Karnataka. The four distinctive stages of the Bommalattam theatre are Vinayak Puja, Komali, Amanattam, and Pusenkanattam. With some standing up to 4.5 feet tall and weighing up to 10 kilogrammes, the Bommalattam puppets are the biggest and heaviest marionettes in India. The puppeteer wears an iron ring on his head that is attached to the strings. It combines elements of rod puppetry and string puppetry. Puppetry called “bommalattam” has its roots in Tamil Nadu. The absence of legs on the puppets is a defining characteristic. The presentation is accompanied by a dramatic folk music score, and the puppeteer’s finger is attached to the strings. The puppets wear colourful traditional Rajasthani clothing. Kathputli, a traditional string puppet from Rajasthan, derives its name from the Hindi terms for wood and doll, respectively, “Kath” and “putli. The Odissi dance is prominently featured in Kundhei puppet shows. The strings are held together by a triangular prop. The puppeteer can move around with more ease because the puppets have more joints. They are made of l ight wood, and their skirts are long. Kundhei is the name of the string puppets of Odisha. The most prominent examples of string puppets are: Kundhei In other instances, additional strings are connected to various parts of the marionette’s body. A hand controller in the form of the letters H or X is attached to the strings. The strings that are tied to tiny holes in the hands, head and back of the body are moved by the puppeteer.Įither leg, arm, and shoulder, as well as the lower back and each side of the head, are connected by strings. To make it look more lifelike, tiny diamonds and other decorations have been added. The body is then stitched together and covered in brightly coloured little clothing. Little wooden pipes are connected to the body to create the limbs. Oil paint is used to colour the wood and add other facial features such as eyes, mouth, nose, and other facial traits. The puppets are typically chiselled wooden replicas that are eight to nine inches long. In Indian culture, string puppets are also referred to as marionettes. Puppetry in India can be classified into four categories: However, this creative genre has been steadily diminishing in recent years because of a lack of devoted fans and financial uncertainties. Puppetry has been infused with other artistic mediums, including painting, sculpture, music, dance, and theatre, creating a distinctive form of artistic expression. A broad variety of puppetry traditions have developed throughout India, each with its own distinct style of puppets.įolklore, mythology, and local legends served as sources of inspiration.
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